English Literature and Creative Writing Faculty
Joseph Alkana, Ph.D. (Texas, 1990)
Fields: 19th-century American literature, Jewish literature.
Author, The Social Self: Nineteenth-Century Psychology and the Writings of Hawthorne, Howells, and William James (1996). Co-editor, Cohesion and Dissent in America (1994).
A. Manette Ansay, M.F.A. (Cornell, 1991)
A. Manette Ansay’s first novel, Vinegar Hill, was published in 1994, followed by a story collection, Read This and Tell Me What it Says in 1995. She has since published four more novels: Sister (1996); River Angel (1998); Midnight Champagne (1999), a finalist for the National Book Critics Circle Award; and her latest novel, Blue Water (2006). Ansay is also the author of a memoir, Limbo. She's been awarded a Pushcart Prize, a Friends of American Writers Prize, and two Great Lakes Book Awards, among others. Vinegar Hill was chosen by Oprah Winfrey as her November 1999 Book Club Selection. Ansay is at work on a new novel, to be published by HarperCollins.
Anthony Barthelemy, Ph.D. (Yale, 1984)
Fields: African-American and Renaissance literature.
Author, Black Face, Maligned Race: The Representation of Blacks in English Drama from Shakespeare to Southerne (1987). Editor, Critical Essays on Shakespeare's "Othello" (1994).
Jaswinder Bolina, MFA, Ph.D. (Michigan 2003, Ohio University 2010)
Fields: Creative writing (poetry and nonfiction)
Jaswinder Bolina is author of Phantom Camera (Green Rose Prize, New Issues Press and Hachette 2013) and Carrier Wave (Colorado Prize, Center for Literary Publishing, Colorado State University 2007). His poems have appeared widely in national and international literary journals and in the Best American Poetry series. His essays have appeared at the Poetry Foundation dot org and The Huffington Post; in magazines including The State and The Writer; and in the anthologies Poets on Teaching (University of Iowa Press 2011), Language: A Reader for Writers (Oxford University Press 2013), The Task of Un/Masking (University of Georgia Press 2014), and The Force of What’s Possible (Nightboat Books 2014).
Robert Casillo, Ph.D. (Johns Hopkins, 1978)
Fields: Modern poetry, Victorian literature.
Author, The Genealogy of Demons: Anti-Semitism, Fascism, and the Myths of Ezra Pound (1988), The Empire of Stereotypes: Germaine de Stael and the Idea of Italy (2006); Gangster Priest: The Italian American Cinema of Martin Scorsese (2006).
Eugene Clasby, Ph.D. (Wisconsin-Madison, 1966)
Professor and Director of the Master of Arts in Liberal Studies Program
Fields: Medieval and Renaissance literature.
Translator, The Pilgrimage of Human Life by Guillaume de Deguilleville (1992).
Renée Fox, Ph.D. (Princeton, 2010)
Renée Fox specializes in nineteenth-century British and Irish literature, with particular interests in the Gothic, mid-to-late Victorian literature and culture, poetry, and contemporary Irish literature. She is the co-editor of an exhibition catalogue called The Cracked Lookingglass: Highlights from the Leonard L. Milberg Collection of Irish Prose, which accompanied an exhibition of 18th- to 21st-century Irish prose at the Princeton University library, and her work has appeared or is forthcoming in the New Hibernia Review and Victorian Poetry. Dr. Fox has been the recipient of an Ahmanson-Getty Fellowship from UCLA’s William Andrews Clark Memorial Library, as well as fellowships from the Josephine de Kármán Foundation and the Mrs. Giles M. Whiting Foundation. Her current project is entitled Necromantic Victorians: Reanimation, History, and Literary Innovation.
Donette Francis, Ph.D. (New York University, 2001)
Associate Professor and Director of American Studies
Donette Francis specializes in Caribbean literary and intellectual histories, American immigrant literatures, African diaspora literary studies, globalization and transnational feminist studies, and theories of sexuality and citizenship. Her book, Fictions of Feminine Citizenship: Sexuality and the Nation in Contemporary Caribbean Literature (Palgrave 2010), is concerned with the archives, intimacy and narrating history. Through an interdisciplinary and comparative study of novels by contemporary diasporic Caribbean women writers, Fictions charts an alternative history of racial and sexual formation in the Caribbean— moving across historical periods and national contexts. Defining this emergent literature as the Caribbean "antiromance," Dr. Francis writes against the critical impulse to underscore women's agency, and considers instead how Caribbean female subjects dwell in liminal spaces of both vulnerability and possibility. Dr. Francis is currently writing The Novel 1960s: Form and Sensibilities in Caribbean Literary Culture, an intellectual history of the 1960s. She is the co-editor with Belinda Edmondson of the "Special Forum: American Studies—Caribbean Edition" of the Journal of Transnational American Studies.
Dr. Francis has been the recipient of Ford Foundation Summer Fellowships, the Dr. Nuala G. Drescher Award, and the Institute for Advanced Studies in the Humanities Faculty Fellowship at Binghamton University. She sits on the Editorial Board of Tulsa Studies in Women's Literature and the Trotter Review. Her articles have appeared in Small Axe, Black Renaissance/Renaissance Noir, and Research in African Literature, among others. Before joining the faculty of the English Department at the University of Miami, Dr. Francis taught at Binghamton University and New York University.
Kathryn Freeman, Ph.D. (Yale, 1990)
Kathryn Freeman, whose fields are British Romanticism, Orientalism, Blake studies, and women’s literature, received her PhD from Yale in 1990. Her first book, Blake’s Nostos: Fragmentation and Nondualism in The Four Zoas (SUNY 1997) explores Blake’s non-linearity as a means to reassess Blake’s poetics and his relationship to his contemporaries. Her second book, Women Writers and the Asiatic Society of Bengal, 1785-1835: Re-Orienting Anglo-India (Ashgate 2014) investigates the literary relationship between women writers of the late eighteenth century and the Orientalist transmission of Vedic texts. She has published related articles on Sydney Owenson’s The Missionary; on Phebe Gibbes’ Hartly House, Calcutta; and on the translations of William Jones and Charles Wilkins. She is currently completing an Un-cyclopedic Guide to William Blake, a companion to Blake’s cosmology and historical context that challenges the premise of referentiality in the spirit of Blake’s text and design.
John Funchion, Ph.D. (Brown, 2008)
Assistant Professor of English and American Studies
Fields: Early North American and nineteenth-century U.S. literatures; Atlantic Studies; aesthetic theory; and digital approaches to literary studies.
John Funchion’s essays have appeared in Early American Literature, Modern Language Quarterly, Modernist Cultures, and The Henry James Review. He recently completed a series of final revisions on his first book, States of Nostalgia: the Aesthetics of Antagonism in the Nineteenth-Century U.S. for a major university press. He also co-edited and contributed an essay to Bordering Establishments: Mapping Regions in Early American Writing (Georgia, forthcoming). He is currently at work on two new projects. His second book manuscript, Reading against the Law: Localities of Dissent in the Early Republic establishes how regional writers in the U.S. engaged novelists, poets, revolutionaries, and legal thinkers across the Atlantic and throughout the Caribbean to challenge the rising dominance of legal and literary federalism in the early nineteenth century. He has also begun developing a digital humanities project, [alt] Periodicals, which will provide a searchable archive of radical and alternative periodicals published in the U.S. between 1865 and 1919.
M. Evelina Galang, M.F.A. (Colorado State, 1994)
Professor and Director of Creative Writing
M. Evelina Galang received her M.F.A. degree from Colorado State University in 1994. She is the author of two works of fiction - Her Wild American Self, a collection of short fiction (Coffee House Press 1996) and One Tribe, winner of the 2004 AWP Prize in the Novel (New Issues Press 2006). Galang is also the editor of Screaming Monkeys: Critiques of Asian American Images (Coffee House Press, 2003), an anthology that was awarded the 2004 Gustavus Myers Outstanding Book Awards Advancing Human Rights. In 2001, she was the Fulbright Senior Research Scholar in the Philippines where she continued to explore the stories of Surviving Filipina Comfort Women of World War II for her collection of essays, "Lola's House: Women Living With War."
Galang teaches fiction in the MFA Creative Writing Program where she introduces students to a wide range of tools, voices and perspectives. She hopes that from this vast array of choices students will find their way to a place where craft, substance and art come together.
Galang also serves as the advisor for the Filipino Student Association and UM Screaming Monkeys, a student group whose mission is to explore issues of race, culture and social justice through the spoken word.
Amina Gautier, Ph.D. (Pennsylvania, 2004)
Fields: Creative writing (fiction), American literature, African American literature
Amina Gautier is the author of two short story collections: Now We Will Be Happy (University of Nebraska Press, 2014), which won the Prairie Schooner Book Prize and At-Risk (University of Georgia Press, 2011), which won the Flannery O’Connor Award for Short Fiction. Her short stories have appeared widely in national and international literary journals and anthologies.
Dr. Gautier has been the recipient of the Crazyhorse Fiction Prize, the Danahy Prize, the Jack Dyer Prize, the Flannery O’Connor Award, the Lamar York Prize in Fiction, the Schlafly Microfiction Award, the Prairie Schooner Book Prize, and the William Richey Award. Her work has received scholarships and fellowships from the American Antiquarian Society, Breadloaf Writer's Conference, Callaloo Writer’s Conference, Hurston/Wright Foundation, Kimbilio, Prairie Center of the Arts, Sewanee Writer’s Conference, and Ucross Foundation, as well as artist grants from the Illinois Arts Council and the Pennsylvania Council on the Arts. Her critical essays and reviews appear in African American Review, Daedalus, Journal of American History, Libraries and Culture, Nineteenth Century Contexts and Whitman Noir: Black America and the Good Gray Poet, and have been supported with fellowships from the Northeast Modern Language Association, Social Science Research Council, and the Woodrow Wilson Foundation.
Thomas Goodmann, Ph.D. (Indiana, 1990)
Thomas Goodmann received his PhD in English from Indiana University with a Certificate in Medieval Studies. He has published an essay on John Wyclif in the DLB volume, Old and Middle English Literature, and on modern literacy in medieval languages in Exemplaria, and is currently editing and contributing to Approaches to Teaching Langland's "Piers Plowman" for the Modern Language Association. He serves on the Executive Council of the Medieval Academy's Committee on Centers and Regional Associations, and co-hosted the annual meeting of the Academy on Miami Beach in 2005.
Professor Goodmann offers courses on medieval British and European literatures, and on literature and environment. He is also at work on a book entitled, “Remembering the Summer Earth”: Women Writers of the Rural and the Wild.
Tassie Gwilliam , Ph.D. (Cornell, 1985)
Author: Samuel Richardson’s Fictions of Gender (Stanford 1993); articles in Novel, Journal of the History of Sexuality, ELH, Representations, and Body and Text in the Eighteenth Century.
Dr. Gwilliam’s teaching focuses on the encounters between popular culture and elite literature in the Restoration and eighteenth century; on sexuality and gender in the period; and on medicine and literature. Her current research project, Embodying Narrative: The Female Body in Eighteenth-Century Literature and Culture, examines such artifacts as counterfeit maidenheads, cosmetic treatises, and chameleon actresses to construct an understanding of the relationship between body and text in the eighteenth century.
Pamela Hammons, Ph.D. (Cornell, 1997)
Professor and Department Chair
Dr. Hammons specializes in early modern English and medieval literature, manuscript culture, poetry, women’s writing, and theories of gender and sexuality. She is the author of Gender, Sexuality, and Material Objects in English Renaissance Verse (Ashgate 2010), Poetic Resistance: English Women Writers and the Early Modern Lyric (Ashgate 2002), and essays in SEL, ELH, Criticism, Clio, Women’s Writing, Literature Compass, Write or Be Written: Early Modern Women Poets and Cultural Constraints, and History of British Women’s Writing, 1610-1690. She is the editor of Book M: A London Widow’s Life Writings by Katherine Austen (Iter, Inc. and CRRS 2013) for The Other Voice in Early Modern Europe: The Toronto Series. Dr. Hammons has been the recipient of a Mellon Fellowship in the Humanities, a National Endowment for the Humanities (NEH) Faculty Research Award, and an NEH Summer Stipend.
Robert Michael Healy, Ph.D. (University of Miami, 1997)
David Ikard, Ph.D. (University of Wisconsin-Madison, 2002)
Director of Africana Studies
David Ikard specializes in African American literature. His interests include black feminist criticism, hip hop culture, black masculinity and whiteness studies. His essays have appeared in African American Review, MELUS, Palimpsest, African and Black Diaspora Journal, The Journal of Black Studies, and Obsidian III. He is the author/co-author of three books. Breaking The Silence: Toward a Black Male Feminist Criticism (2007)reconsiders the role of black men in feminism and identifies intraracial patterns of complicity in dominant modes of power that undermine even the most earnest and informed anti-sexist and anti-racist efforts. Co-authored with Martell Teasley, Nation of Cowards: Black Activism in Barack Obama's Post-Racial America (2012)explores the disconnect between the national hype over Barack Obama's historical election to the presidency and the ever-increasing economic distress of the black community that Attorney General Eric Holder broached in his controversial "race speech" in 2008. It received the Best Scholarly Book Award by DISA in 2013. Blinded by the Whites: Why Race Still Matters in the 21st Century (2014) uses black cultural and gender theories to engage the persistence of racial profiling, economic inequality between blacks and whites, disproportionate numbers of black prisoners, and disparities in health and access to healthcare. In addition, it sheds light on the shifting discourse of white supremacist ideology, including post-racialism, neoliberalism and colorblind politics, that frustrates black self-determination, agency, and empowerment the 21st century. His current project, Loveable Racists, White Messiahs, and Magical Negroes, investigates the tenacity and cultural capital of white redemption narratives in literature and popular media from Harriet Beecher Stowe’s Uncle Tom’s Cabin to Kathryn Stockett’s best selling book cum blockbuster and Oscar Award winning movie The Help. He is also working on a multi-authored project, Missing Trayvon: Respectability Politics, Activism, and Cultural Memory, that uses Trayvon Martin’s tragic death as a hallmark to rethink the efficacy of essentialist racial critiques.
Catherine Judd, Ph.D. (California, Berkeley, 1992)
Fields: Victorian novel, women's studies.
Author, Bedside Seductions: Nursing and the Victorian Imagination 1830-1880 (1997).
Catherine Judd received her masters in Comparative Literature in '86 and her PhD in English Literature in '91 both from UC Berkeley, and is an Associate Professor in the English Department at the University of Miami in Coral Gables Florida. She has written a book on Victorian nursing and articles on various nineteenth-century topics including representing the London crowd, women writers' use of male pseudonyms, English representations of the Irish Famine, and English responses to the American Civil War. Currently she is writing about Londoners converting to Mormonism in the early 1840s and how some of these conversions connect back to English dissent traditions of the 1640s and '50s. After she finishes this project she will be working on an essay focused on Percy Bysshe Shelley's influence on Thomas Hardy's novels, particularly "Jude the Obscure." She has been the recipient of several research awards including a National Institute of the Humanities Summer Research award. She can be reached at email@example.com.
Senior Lecturer, Creative Writing
Patrick A. McCarthy, Ph.D. (Wisconsin-Milwaukee, 1973)
Research fields: British and Irish modernist literature, science fiction, textual editing, genetic criticism; particular interest in James Joyce, Malcolm Lowry, Samuel Beckett, and Olaf Stapledon
Pat McCarthy, whose major fields are modern British and Irish literature and science fiction, has published critical interpretations of works, studies of literary relationships, genetic critical studies, and annotated scholarly editions of literary texts. His current projects are a scholarly edition of Malcolm Lowry’s “lost” novel In Ballast to the White Sea and an article on Book III Chapter 2 of James Joyce’s Finnegans Wake. He is also the editor of the James Joyce Literary Supplement.
Brenna Munro, Ph.D. (Virginia, 2005)
Associate Professor and Director of Graduate Studies
Fields: Gender and sexuality studies, postcolonial theory, Anglophone African, Caribbean, and contemporary British literature, and queer postcolonial writing and cinema.
Brenna Munro specializes in queer and postcolonial studies, Anglophone African literature, and queer global writing and cinema. Her first book, South Africa and the Dream of Love to Come: Queer Sexuality and the Struggle for Freedom, published by the University of Minnesota Press in 2013, was a Lambda Literary Award finalist in LGBT Studies. Dr. Munro is currently working on the politics of sexuality in contemporary writing from Nigeria and its diaspora. She is on the editorial board of Safundi: The Journal of South African and American Studies.
Joel Nickels, Ph.D. (California, Berkeley 2007)
Joel Nickels focuses on global modernisms, American and British literature since 1900, world literature and literary geography. He is the author of The Poetry of the Possible: Spontaneity, Modernism and the Multitude (Minnesota 2012). His second book project examines representations of self-government outside the nation-state in twentieth and twenty-first century world literature.
Elizabeth Oldman, Ph.D. (New York University)
Elizabeth Oldman is a graduate of Barnard College (B.A., English), Yale University (M.A., English), and New York University (Ph.D., English), and has studied at Leiden University and The Hague. Her research interests include Renaissance literature, the history of law and political thought, the literature and philosophy of war, gender studies, and the intersection of literature and the visual arts. In 2011, she was invited to become an honorary member of the University of Miami’s chapter of the Golden Key International Honor Society, in acknowledgment of her outstanding teaching and support of the undergraduate community. She was the 2008 recipient of The Josephine Louise Award for Excellence in Teaching by the Newcomb Student Body at Tulane University, where she was Visiting Assistant Professor in Early Modern British Literature from 2006-2009. Her recent essays include “Milton, Grotius, and the Law of War in Paradise Regained and Samson Agonistes” (Studies in Philology, 2007), and “Milton’s Tenure of Kings and Magistrates and Eikonoklastes: Illegitimate monarchy and legally-sanctioned king-killing” (Law, Culture and the Humanities, 2012).
Frank Palmeri, Ph.D. (Columbia, 1981)
Frank Palmeri has published on comparative literary studies of the 18th and 19th centuries; satire in narrative and graphic forms; conjectural history and the history of social thought; animal studies; and the novels of Thomas Pynchon. In addition to being comparative (primarily involving British, French, German, and American), his work is interdisciplinary—calling on the critical methods of history, visual studies, and philosophy.
His most recent book, A Genealogy of Modern Social Thought: The Afterlives of Enlightenment Conjectural History, is forthcoming in Columbia University Press’s Series in Political Thought/Political History. He has published two other authored books—Satire in Narrative: Petronius, Swift, Gibbon, Melville, Pynchon (1990), and Satire, History, Novel: Narrative Forms 1665-1815 (2003). He has edited two volumes: Critical Essays on Jonathan Swift (1993) and Humans and Other Animals in 18th Century Britain: Hybridity, Representation, Ethics (2006). His essays have appeared in journals such as ELH: English Literary History, Comparative Literature, Criticism, Postmodern Studies, and SEL: Studies in English Literature, 1500-1900, as well as numerous edited volumes.
He is currently directing 2 dissertations and has directed 7—on topics including 19th-century women writers and satire; Charles Reade and the sensation novel; the postmodern historical novel; fiction of the Partition from South Asia; and ideology and utopia in postcolonial fiction.
His current project is Satire and the Public Sphere: Caricature, Novels, and Politics in England, 1790-1910.
Prof. Palmeri is an affiliated faculty member of the Department of Philosophy.
Jessica Rosenberg, Ph.D. (Pennsylvania, 2014)
Jessica Rosenberg specializes in early modern literature and culture, with a particular focus on the history of science and the history of the book. She received her PhD in Comparative Literature from the University of Pennsylvania and MPhil in History and Philosophy of Science from Cambridge. An essay on husbandry and poetry is forthcoming in English Literary History, as are others in collections on Shakespeare and Hospitality (under contract with Routledge) and Ecological Approaches to Early Modern Literature (forthcoming from Ashgate.) She is currently working on a book project entitled Botanical Publics that explores the relationship between horticulture and reading practices in early modern England.
John Paul Russo, Ph.D. (Harvard, 1969)
Professor of English and Classics
Chair, Department of Classics
John Paul Russo has published books and essays on the theory of criticism, ethnicity, and history of culture. The recipient of three Fulbright Fellowships, most recently (2006) to the University of Salerno, he has been visiting professor at the universities of Palermo, Rome, and Genoa. He is book review editor of Italian Americana and an editor of Rivista di Studi Nord Americani. He has received the UM Faculty Senate's Distinguished Faculty Scholar Award and Outstanding Teaching Award, and a Cooper Fellowship. In 2006 his Future without a Past: The Humanities in a Technological Society won the Thomas N. Bonner Award. His study of representations of Italy, Italians, and Italian Americans since the Renaissance, co-written by Robert Casillo and entitled The Italian in Modernity, was published by the University of Toronto Press in 2011.
Patricia J. Saunders, Ph.D. (Pittsburgh, 1999)
Professor Saunders's research and scholarship focus largely on the relationship between sexual identity and national identity in Caribbean literature and popular culture. Her work has appeared in The Bucknell Review, Calabash, Plantation Society in the Americas, The Journal of West Indian Literature and Small Axe. Her first book, titled Alien/Nation and Repatri(n)ation: Caribbean Literature and the Task of Translating Identity will be published by Lexington Books in 2007. This book traces the emergence of literary nationalisms in the Anglophone Caribbean region while mapping these transformations through discourses of exile, national and sexual identity, and diaspora race politics in four cultural and political contexts: pre-independence Trinidad, post-independence Britain, the Civil rights era in the United States, and Canada. Other works in progress include an edited collection of essays on Jamaican popular culture and the politics of sexual and national identity. The essays in this collection explore critical aspects of dancehall culture and the points of intersection with global flows of capital, violence and culture.
Current project: Fusion and Con/Fusion: Gender, Sexuality, and Consumerism in Jamaican Dancehall Culture.
Peter Schmitt, M.F.A. (Iowa, 1983)
Fields: Creative writing (poetry and fiction), American literature, British literature.
Peter Schmitt is the author of three full-length collections of poems: Renewing the Vows (David Robert Books), Hazard Duty, and Country Airport (Copper Beech Press). He has also published two chapbooks: Incident in an Apartment Complex: A Suite of Voices, and To Disappear, both from Pudding House. Schmitt has received The Julia Peterkin Award in Poetry from Converse College; The Lavan Award from The Academy of American Poets; The “Discovery”/The Nation Prize; is a two-time recipient of grants from The Florida Arts Council; and was awarded a Fellowship from The Ingram Merrill Foundation. His poems have been featured several times on NPR’s Writers Almanac, and his poem, “Packing Plant,” won The Sunken Garden Poetry Festival (CT) open competition. His work has appeared in many leading publications, including The Hopkins Review, The Hudson Review, The Nation, The Paris Review, Poetry, and The Southern Review, and has been widely anthologized. A native Miamian, Schmitt has taught at The University of Miami since 1986.
Maureen Seaton , M.F.A. (Vermont College, 1996)
Professor (On Leave)
Field: Creative writing (poetry).
Maureen Seaton has authored fourteen poetry collections, both solo and collaborative—most recently, Stealth, with Sam Ace (Chax Press, 2011); Sinéad O’Connor and Her Coat of a Thousand Bluebirds, with Neil de la Flor (Sentence Book Award, Firewheel Editions, 2011); and Cave of the Yellow Volkswagen (Carnegie Mellon, 2009)—and a memoir, Sex Talks to Girls (University of Wisconsin Press, 2008, Living Out Series), winner of the Lambda Literary Award. She is co-editor, with Denise Duhamel and David Trinidad, of the anthology, Saints of Hysteria, A Half-Century of Collaborative American Poetry. She has received numerous honors, including the Lammy and the Iowa Poetry Prize for Furious Cooking, the Publishing Triangle’s Audre Lorde Award for Venus Examines Her Breast, the Eighth Mountain Poetry Prize for Fear of Subways, the Society of Midland Authors Award for The Sea among the Cupboards, the NEA, and two Pushcart prizes. She writes an online column celebrating poets at almostdorothy.wordpress.com/category/themes/glit-lit Her website is: www.maureenseaton.com
Frank Stringfellow, Ph.D. (Cornell, 1988)
Associate Professor, Associate Chair, and Director of Undergraduate Studies
Fields: Psychoanalytic criticism.
Author, The Meaning of Irony: A Psychoanalytic Investigation (1994)
Mihoko Suzuki, Ph.D. (Yale, 1982)
Professor and Director of the Center for the Humanities
Mihoko Suzuki’s research and teaching focuses on Renaissance and early modern studies, English and continental, with a special emphasis on gender and authorship; early modern political thought and historiography; and the classical tradition.
She has published two authored books and eleven edited or coedited volumes and is an active participant in various professional societies. For detailed information on her work, please visit http://www.humanities.miami.edu/humanities/about/staff/msuzuki/
At the University of Miami, Professor Suzuki has directed nine Ph.D. dissertations, with two in progress. She also has served on a number of dissertation committees for the Departments of History and Modern Languages and Literatures, as well as for other universities.
Tim Watson, Ph.D. (Columbia, 1998)
Tim Watson teaches 19th- and 20th-century literatures in English. With Ashli White (History Department), he organizes the interdisciplinary Atlantic Studies research group at UM.
He is the author of Caribbean Culture and British Fiction in the Atlantic World, 1780-1870 (Cambridge University Press, 2008) and editor, with Candace Ward of Florida State University, of a new edition of the 1827 novel Hamel, the Obeah Man by Cynric R. Williams (Broadview Press, 2010). He recently edited a special issue of the journal Clio on the topic of "Atlantic Narratives." He is at work on a new book on transatlantic literature and anthropology in the 1950s.