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ART + ART
HISTORY > PROGRAMS
> printmaking
printmaking
The Printmaking Area offers a sequence of courses in Intaglio/Relief,
Lithography, and Silkscreen and Computer Assisted Printmaking. At
the 200 level each course is a survey of techniques in both black
and white and in color; at the 300 level more advanced processes
are introduced and at the upper levels students can design their
own course of study. An advanced seminar for graduate students in
painting and printmaking includes everything from readings in contemporary
art criticism to practical instruction in the design of web pages
and other softwares in order to prepare our students for a variety
of professional career opportunities in the arts. (Click here to
see web pages by current Painting and Printmaking Graduate Students.)
The Department has Photography and Graphic Design areas for those
students interested in digital output; the philosophy of the printmaking
area is that digital imaging is an excellent tool for doing preparatory
work for traditional print processes, as well as for making promotional
materials. Traditional processes in etching, intaglio and relief
are emphasized as well.
Each term undergraduates, graduates, and faculty engage in a print
exchange which usually draws between 25 and 30 participants; works
exchanged have included everything from traditional editioned prints
to hand-made paper, photographs, digital images, monotype series,
and low relief sculpture. Two impressions of each print is donated
to the annual print sale; the proceeds have been used in the past
for supplies and for student travel to workshops and conferences.
The program has recently completed exchanges with the Quay School
for the Arts in Wanganui, New Zealand, and with the University of
Tasmania in Australia.
Printmaking students are encouraged to be active in Florida Printmakers
and with the Southern Graphics Council (whose 2000 conference was
held at the University of Miami). There is also a continuing series
of print exhibitions held in the lobby and hallways of the Rainbow
Buidlings of contemporary artists. Rainbow Buidling 2004-06 schedule.
Equipment includes a 40 x 60 Griffin etching
press, a 30 x 50 Brand etching press, a 32 x 50 Griffin litho press,
a 24 x 50 electric Dickerson combination press, approximately 30
litho stones for work up to 27 x 38, a NuArc exposure unit for photographic
plates up to 30 x 40 inches, two light tables for exposing screens
up to 40 x 60 inches, several screen printing stations and approximately
200 silkscreens. There is a ventilated area for acid work, spraypainting,
and screen cleaning. Graduate students are housed in private studios
adjacent to the communal studio area. The computer lab includes thirteen
Power Mac G4 computers, three flatbed scanners, two slide scanners,
two Epson 3000 inkjet printers, an Epson 7000 and 9600 wide format
printers, and a laser printer.
Faculty
Lise Drost, M.F.A.; Area
Head, Department Chair
Jonathan Thomas, M.F.A.;
Full-time Lecturer
Kyle Trowbridge, M.F.A.;
Sr. Lecturer
Barbara Scheer, M.F.A.; Part-time Lecturer
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